A series centred on four paintings on wood panel, each paired with a digital counterpart inscribed on Bitcoin. From April 2028 each digital work loses one pixel for every new block on the Bitcoin network, until after four years only a black square remains. The decay can be stopped with a code sealed beneath the paint of the physical work, which can only be reached by destroying part of it. The four works are accompanied by The Remains of Us, a large canvas that serves as the thematic anchor of the series, and Substrate, a small work on wood panel.
The Remains of Us, 2025. Acrylic, charcoal, ink and oil stick on canvas, 140 × 160 cm.Remains I, 2026. Acrylic, charcoal, ink, oil stick, molding paste and embedded code on wood panel, 100 × 70 cm.Remains I, 2026. Digital counterpart, Ordinal inscription 124,507,951, 500 × 420 px.Remains II, 2026. Acrylic, charcoal, ink, oil stick, molding paste and embedded code on wood panel, 100 × 70 cm.Remains II, 2026. Digital counterpart, Ordinal inscription 124,507,952, 500 × 420 px.Remains III, 2026. Acrylic, charcoal, ink, oil stick, molding paste and embedded code on wood panel, 100 × 70 cm.Remains III, 2026. Digital counterpart, Ordinal inscription 124,507,953, 500 × 420 px.Remains IV, 2026. Acrylic, charcoal, ink, oil stick, molding paste and embedded code on wood panel, 100 × 70 cm.Remains IV, 2026. Digital counterpart, Ordinal inscription 124,507,954, 500 × 420 px.Substrate, 2025. Acrylic, charcoal, ink and molding paste on wood panel, 30 × 30 cm.Installation views, Remains, 46 Hester Street, New York, 2026.
